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The Dead South
Sheetmusic to print
20 sheet music found
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1
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johanne…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
13.95 €
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Choral SATB
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Johannes Brahms
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Blessed Are They That Mourn (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Bra…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version. This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.42 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johannes Brahms
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
The Dead South: In Hell I'll Be In Good Company - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by The Dead South for voice, piano or guitar of MEDIUM ski…
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Instantly printable sheet music by The Dead South for voice, piano or guitar of MEDIUM skill level. / folk
$7.97
7.43 €
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Piano, Vocal and Guitar
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The Dead South
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Virtualsheetmusic
Michael, Row the Boat Ashore (swing remix)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.741175 Arranged by Anne Britt. Blue…
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Piano Solo - Level 3 - Digital Download SKU: A0.741175 Arranged by Anne Britt. Blues,Children. Score. 3 pages. Anne Britt #3480661. Published by Anne Britt (A0.741175). A bluesy arrangement for intermediate piano solo. This spiritual dates back to the American Civil War and was sung by former slaves on St. Helena Island along the coast of South Carolina. It’s believed that Michael refers to the Archangel Michael, who is viewed by Roman Catholics as a conductor of the souls of the dead. The River Jordan mentioned in the lyrics is where Jesus was baptized, and is a symbol for deliverance and salvation. 3 pages. Also available as part of the Piano Remixes: Kid Songs Vol. 2 intermediate songbook: https://www.sheetmusicplus.com/title/20756042Advanced intermediate version also available as a medley with Row, Row, Row Your Boat, titled Michael Row, Row, Row Your Boat Ashore: https://www.sheetmusicplus.com/title/19972371Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
3.72 €
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Piano solo
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Michael, Row the Boat Ashore
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Anne Britt
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SheetMusicPlus
The Scholar
Choral SATB
SATB choir unaccompanied - Digital Download SKU: OX.9780193531253 Composed by David…
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SATB choir unaccompanied - Digital Download SKU: OX.9780193531253 Composed by David Bednall. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193531253. Published by Oxford University Press Digital (OX.9780193531253). ISBN 9780193531253.For SATB unaccompanied. The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will provide a moment of quiet reflection in a concert programme.
$3.25
3.03 €
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Choral SATB
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David Bednall
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The Scholar
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Oxford University Press Digital
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SheetMusicPlus
In Hell I'll Be In Good Company
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.794349 By The Dead South. By Colton…
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Piano Solo - Level 3 - Digital Download SKU: A0.794349 By The Dead South. By Colton Crawford, Daniel Kenyon, Nathaniel Hilts, and Scott Pringle. Arranged by Piano Go Life. Contemporary. Score. 8 pages. Piano Go Life #6341719. Published by Piano Go Life (A0.794349). The Dead South - In Hell I'll Be In Good Company Piano Cover Arranged by Piano Go Life .
$9.99
9.32 €
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Piano solo
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The Dead South
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Piano Cover
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In Hell I'll Be In Good Company
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Piano Go Life
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SheetMusicPlus
In Hell I'll Be in Good Company by The Dead South - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: The Dead South: In Hell I'll Be in Good Company Digital Sheetmusic plus…
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Performed by: The Dead South: In Hell I'll Be in Good Company Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Folk~~Folk-Pop~~Bluegrass
$5.79
5.4 €
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Piano, Vocal and Guitar
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The Dead South
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Piano/Vocal/Guitar
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Musicnotes
In Hell I'll Be In Good Company
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1103346 By The Dead South. By Col…
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C Instrument - Level 4 - Digital Download SKU: A0.1103346 By The Dead South. By Colton Crawford, Daniel Kenyon, Nathaniel Hilts, and Scott Pringle. Arranged by Christoph Fleischmann. Folk,Jazz,Pop,Rock. Lead Sheet / Fake Book. 1 pages. Tonstoff #706608. Published by Tonstoff (A0.1103346). A simple Leadsheet Version for small jazz ensemble.
$9.99
9.32 €
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C Instruments
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The Dead South
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In Hell I'll Be In Good Company
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Tonstoff
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SheetMusicPlus
In Hell I'll Be In Good Company
Piano, Vocal and Guitar
By The Dead South. This edition: Interactive Download. Folk. Piano/Vocal/Guitar. 7 p…
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By The Dead South. This edition: Interactive Download. Folk. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital
$4.99
4.65 €
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Piano, Vocal and Guitar
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The Dead South
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In Hell I'll Be In Good Company
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Hal Leonard - Digital
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SheetMusicPlus
Dead-Eye
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.1330356 Composed by Rose Riley. Ba…
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Violin Solo - Level 3 - Digital Download SKU: A0.1330356 Composed by Rose Riley. Baroque,Classical,Contemporary,Country. 1 pages. Alex Lafferty #918225. Published by Alex Lafferty (A0.1330356). My third opus, a violin solo. To get down to it, this is a nocturne. Take advantage of the open strings, make it feel like a fiddle piece slowed down a LOT. Feel the southern gothic tone, and overaccentuate the dynamics to give the feel of movement even in the dark. The peaks are the moonlight, shining down. The lowest G string is the buzzing of the lightning bugs. This piece is expressive, feel it. Put yourself there.
$8.99
8.39 €
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Violin
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Rose Riley
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Dead-Eye
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Alex Lafferty
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SheetMusicPlus
#WeToo
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich” that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.” The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.86 €
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Choral SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Tremors of Krakatoa
Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and…
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Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.
$32.00
29.85 €
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Judith Katz
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Tremors of Krakatoa
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Imagine Music - Digital
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SheetMusicPlus
Parade of the Dead by Black Label Society - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
Guitar notes and tablatures
Performed by: Black Label Society: Parade of the Dead Digital Sheetmusic - instantly downl…
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Performed by: Black Label Society: Parade of the Dead Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2; 7 pages -- Black Metal~~Hard Rock~~Heavy Metal~~Southern Rock
$5.79
5.4 €
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Guitar notes and tablatures
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Black Label Society
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Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Musicnotes
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.66 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
12 Evocations (for Piano solo)
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionist…
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Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
24.24 €
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Piano solo
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
A Song of Canute (male voice choir and piano)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea! Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
2.79 €
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Choral TTBB
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.65 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Emus, Tiger Snake and Penguins
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.7…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.738310 Composed by Fiona Hickie. Children,Classical,Contemporary,Multicultural,World. 21 pages. Fiona Alice Hickie #6463357. Published by Fiona Alice Hickie (A0.738310). Three pieces for clarinet quartet inspired by three Australian animals. Emus The emu is a large, flightless Australian bird. In 1932 the government decided there were too many of them and sent out troops to get rid of them. After a month they gave up and to this day we can declare it a victory for the emus. Tiger Snake A tiger snake is native to Australia and is known for its aggressive nature and deadly venom. They are most dangerous during breeding season. It is named after the variety of tiger snake that has yellow bands. This piece starts with a snake asleep on a walking path, then wakes up... What does he do?Penguin Waltz Penguins are also flightless birds that live in the southern hemisphere. They have flippers instead of wings to move through the water. They also have short legs which make them appear like they are waddling when they are walking.
$15.99
14.92 €
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Clarinet Quartet: 4 clarinets
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Fiona Hickie
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Emus, Tiger Snake and Penguins
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Fiona Alice Hickie
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SheetMusicPlus
Emus, Tiger Snakes and Penguins
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.738246 Composed by Fiona Hickie. Cl…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.738246 Composed by Fiona Hickie. Classical,Contemporary,Multicultural,World. Score and part. 13 pages. Fiona Alice Hickie #6206857. Published by Fiona Alice Hickie (A0.738246). Three pieces for oboe and piano inspired by three Australian animals. Emus The emu is a large, flightless Australian bird. In 1932 the government decided there were too many of them and sent out troops to get rid of them. After a month they gave up and to this day we can declare it a victory for the emus. Tiger Snake A tiger snake is native to Australia and is known for its aggressive nature and deadly venom. They are most dangerous during breeding season. It is named after the variety of tiger snake that has yellow bands. This piece starts with a snake asleep on a walking path, then wakes up... What does he do? Penguin Waltz Penguins are also flightless birds that live in the southern hemisphere. They have flippers instead of wings to move through the water. They also have short legs which make them appear like they are waddling when they are walking.
$12.99
12.12 €
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Oboe, Piano (duet)
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Fiona Hickie
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Emus, Tiger Snakes and Penguins
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Fiona Alice Hickie
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SheetMusicPlus
Emus, Tiger Snake and Penguins
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.738297 Composed by Fiona Hickie. Classical,Contemporary,Multicultural,World. Score and parts. 25 pages. Fiona Alice Hickie #6424939. Published by Fiona Alice Hickie (A0.738297). Three pieces for string quartet inspired by three Australian animals. Emus The emu is a large, flightless Australian bird. In 1932 the government decided there were too many of them and sent out troops to get rid of them. After a month they gave up and to this day we can declare it a victory for the emus. Tiger Snake A tiger snake is native to Australia and is known for its aggressive nature and deadly venom. They are most dangerous during breeding season. It is named after the variety of tiger snake that has yellow bands. This piece starts with a snake asleep on a walking path, then wakes up... What does he do?Penguin Waltz Penguins are also flightless birds that live in the southern hemisphere. They have flippers instead of wings to move through the water. They also have short legs which make them appear like they are waddling when they are walking.
$15.99
14.92 €
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String Quartet: 2 violins, viola, cello
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Fiona Hickie
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Emus, Tiger Snake and Penguins
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Fiona Alice Hickie
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SheetMusicPlus
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